Sunday, February 23

Sunday, February 23

  • We Find Love

    Many people relate rhythm & music to things such as instruments, singing & sheet music. But believe rhythm & music lives through all parts of the human experience, from the rhythm of your heartbeat to the pattern of your breathing, that music lives in all of us & is presented in its own individual unique way. It is something that I believe is a connection that everyone has & can be made between individuals. There is so much to share & so much to learn & I believe that one of my main life purposes is to create & facilitate a safe learning environment for these explorations & discoveries to take place.

    Choreography: M’Kayla Kongnetiman

    Dancers: Ashleigh Campbell, Joss Mathewson, Josie Walbridge, M’Kayla Kongnetiman

    Music: We Find Love - Daniel Caesar

  • Because You

    Choreography: Morgan Dubay

    Dancers: Morgan Dubay

    Music: A Song for You - Donny Hathaway

  • S A L ó P I C A II

    SALóPICA II continues the journey of a young woman who, after a tumultuous self-discovery growing up in Venezuela, now navigates life as a new immigrant in Canada. Delving deep into her consciousness, she confronts dreams, harsh realities, and internal barriers. This introspective odyssey seeks to redefine her identity and find inner peace in an unfamiliar land.

    Serenella Sol Co-Director

    Callum Mccormack Co-Director

    Serenella Sol Writer

    Serenella Sol Producer

    Choreographers: Melanie Batycky, Barbara England and Beth Durnie 

    Jared Tobias Herring Editor

    Kaitlyn Seibold Sound Designer

    Jared Tobias Herring Assistant Director

    Serenella Sol Dancer

  • Tambores Espirituales

    Choreography: Melvi Alvarado

    Dancers: Nina Rojkovskaia, Raquel Centeno, Wendy Mendoza, Melvi Alvarado

    Music: Santa Barbara de Moron - Afro Venezuela

  • All That Glitters…

    Not everything that appears valuable is of value; true worth is located beyond the superficial. But if we apply this aphorism to human existence, how do we find depth and true meaning in our lives? How do we mine the gold within ourselves? I wish to invite you into a performance that attempts to answer this question. Inspired by the musical artist, Prince, and a recent academic study of existentialism, this choreography was built while being guided by the principles of freedom and creativity - the two essential tools we can use to mine our gold. Please enjoy!

    Choreography: Caroline Rethy

    Dancers: Caroline Rethy

    Music: Gold - Prince

  • The Acrylic Dancer

    The Acrylic Dancer" is an ode to the transformative power of art and the indomitable spirit that resides within every artist. As the film unfolds, viewers witness a visual symphony of expression where the dancer transitions between the ground and the air, symbolizing the delicate balance between stability and freedom in embracing change. 

    As she gracefully moves, the boundaries between artist and canvas blur, making her an integral part of the artwork itself. Through a mesmerizing dance, she blurs the lines between artist and canvas, celebrating the beauty of change, the strength in vulnerability, and the transformative power of art.

    Choreography: Audrey Boccara

    Dancers: Audrey Boccara

    Music: The Art of Loneliness - ANBR (Adrian Berenger)

  • The Effort it Takes

    This piece, co-created with the cast, explores the effort it takes to be in community—balancing individuality with shared purpose and making sacrifices that strengthen both self and others. It reflects on forgiveness, servanthood, and the courage required to break down walls that isolate us. The choreography navigates themes of interdependence, the tension between asking for help and protecting ourselves, and the overlooked power of youth to lead us beyond outdated patterns. Through movement, we honour the complexities of unity and the ever-evolving work of meeting each other halfway.

    Choreography: Kyrsten Blair

    Dancers: Eleanor Gandar, Maria Johansen, Emily Perescailov, Rebekah Zunic, Sophie Booth, Arabella Friesen, Soleil Lam, Elijah Minkley, Chloe Rempel, Kayla Rempel, Annabelle Zunic, Violet Galli, Victoria Hill, Emma Horobec, Kiana Krueger, Hayley Labun, Nicole Lanting, Nikole Makarenko, Kaitlyn Slade, Sophia Zevallos, Anna Dantas, Emeline Hahn, Ella Jones, Chelsea Slade , Taylor Sorsdahl

    Music: The Same Thing But Different - West & Hill & El Mundo;

    The Chill Air - Brian Eno;

    Fljótavik (Arr. Lawson for Ensemble) VOCES8, Emma Denton, Thomas Gould, Sam Becker

  • (A)PART

    Choreographers/Creators/Producers: Jennifer Nichols and Anisa Tejpar, Hit & Run Dance Productions.

    Director/Editor/Videographer/Producer: Patrick Hagarty

    Performers: Michael Baboolal, Julia Cosentino, Samuel Davilmar, Troy Feldman, Jennifer Nichols, Natasha Poon Woo, Victoria Summerville, Anisa Tejpar, Kaitlin Torrance, Christos Tsiantoulas, with Lana Lemieux

    Drone Videographer: Michael Grajewski

    Music: Luke Melville

    Thank you to: Sarah Robichaud, Logan Van Sprang, Lauren Fraser,

    Christen Reynolds and the residents and artists of Skey Lane, Toronto.

  • Kahani – The Storyteller

    This piece weaves together a fusion of styles interconnected through the music, paying tribute to the rich tapestry of Indian styles of dance rooted in the essence of storytelling, a key component of Bollywood dancing.

    Choreography: Soul Feet Dance

    Dancers: Kiara Patel, Riya Sharma, Aafreen Bhanji, Maya Dhalla, Sahaar Dhalla, Tiara Querin, Nabeel Rahim, Maleha Merchant, Ria Makwana, Rania Walli, Philoza Merani, Nayara Ali

    Music: Ramta Jogi  -Alka Yagnik, Sukhwinder Singh

    Yash Narvekar, Parampara Thakur, A. R. Rahman, Tanishk Bagchi

    Aaye Haaye -Jay Trak, Karan Aujla, Neha Kakkar

  • Overtime

    Living in the cycle of endless work: no personal life, no self-time, no quality time with family.

    The Japanese term Shachiku (社畜) is a portmanteau of “company/corporation” and “livestock.” This self-deprecating term describes salarymen who prioritize work above all else, often at the expense of their personal lives. It reflects a social phenomenon in Japanese society, where employees demonstrate unwavering commitment and loyalty to the companies they work for willingly. This dedication extends beyond regular working hours to include excessive overtime and after-hours obligations. In such a demanding work culture, Karoshi – meaning “death from overwork” – has emerged as a significant societal issue.

    Choreography: Lavender Wong and Shayla Waschuk

    Dancers: Lavender Wong and Shayla Waschuk

    Music: After Hours; The Four Tempers; That Innie; Alive; Music of Wellness by Theodore Shapiro

  • Tell it Like it Is

    Tell It Like It Is is a duet that portrays the conversation between two friends, highlighting the need to listen, offer comfort, and provide unwavering support. Through movement and music, the piece explores the emotional depth of human connection, focusing on the strength found in shared vulnerability. Premiered in FOOTPRINTS 2024 at the Decidedly Jazz Danceworks Theatre, the work resonated deeply with audiences, sparking conversations about empathy and mutual understanding. We are excited to continue sharing this intimate dialogue, where the magic of connection comes to life through dance and music.

    Choreography: Annalise Grammacione and Isabelle Carcamo

    Dancers: Annalise Grammacione and Isabelle Carcamo

    Music: Tell It Like It Is - Nina Simone

  • For on the Floor TOO

    Unexpected Company unfolds on a sudden trip through a messy room. 

    For on the Floor TOO depicts a cartoonish display of second hand clothes sharing their outlandish story and unique outlooks firsthand to a new wearer. 

    Dancers: Josh “Jammin’” Cameron, Grace Richter, Tyler Layton-Olsen, Nic Latulippe, Alyssa Favero, Sevrin Emnacen-Boyd

    Videographer: Alinar Dapilos

    Sound Design: Rayce Vaughan

    Music: Mayor Hawthorne - Just Aint Gonna Work Out (Instrumental)

    Linekraft - No Loss in Weeding Out

    James Tillman, Musella Creative - Drives

    Black Milk - 10 Luv

  • Seduction, Betrayal and Redemption

    Tell It Like It Is is a duet that portrays the conversation between two friends, highlighting the need to listen, offer comfort, and provide unwavering support. Through movement and music, the piece explores the emotional depth of human connection, focusing on the strength found in shared vulnerability. Premiered in FOOTPRINTS 2024 at the Decidedly Jazz Danceworks Theatre, the work resonated deeply with audiences, sparking conversations about empathy and mutual understanding. We are excited to continue sharing this intimate dialogue, where the magic of connection comes to life through dance and music.

    Choreography: Nadine Sanchez, Angellyn Gail Gutierrez, Allen Collado

    Dancers: Mercy Angalow, Alhexa Candilado, Ellisa Macababbad, Faith Gaza, Janssen Dela Cruz, Mathieu Dominic Cabrera, Althea Certeza, Beilul Kidane, Danielljef Marie Tagactac, Maiken Paray, Rodrigo Pastor III, Celestine Palomata, Frances Mabingnay, Vanessa Nguyen, Leah Mabingnay, Phoebe Palacio, Ritchard Mopon, Trisha Betco, Johnelle Dayne Rosales, Kimberly Fonacier, Achalla Oyen, Alexis Pedral, Annabell jada, Dave Masagca, Hikmat Lukmonu, Shalenna Garcia, Venesia Marisela Febra Moreno, Yamen Abayomi, Zachary Jimenez Quaiscer, Nyut Mayain

    Music: An Idea by Iamnobodi (feat. Emmavie, Zacari & Josh J), 

    Love by Kendrick Lamar,

    Sacrifices by EARTHGANG & J. Cole

    Redemption by Zacari & Babes Wodumo

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YYZ Program